Archive for April, 2010

Danny Ilario makes his boolab debut with an intimate piece in collaboration with The Ebeling Group for the agency DDB NY

Sunday, April 25th, 2010

He has spent his career as a creative director in advertising agencies until now. For many years, he was Creative Director for the Audi and Estrella Damm accounts at Tandem DDB Barcelona. In 2005, he left for Madrid, where he first spent a couple of years working at Young & Rubicam, then at El Laboratorio, where he was Executive Creative Director until 2009. In 2010 Danny Ilario made the decision he had been longing for: to leap into directing. And it was boolab he chose for his landing, drawn by the diversity of formats and platforms used by the production house.

After many years of working as an advertising creative from an essentially visual perspective, due to my art director profile, I needed to explore first-hand the world that is being opened up by new technologies, which are converting the communications industry into the new “Far West”; an uncharted territory whose borders are being redrawn each day. At boolab I have found the most open and agile platform from which to confront this personal and professional challenge’, says the director.

Danny makes his debut with an intimate piece co-produced by boolab and its US representative, The Ebeling Group, for the agency DDB New York. Commissioned by the We Can Help Us, it narrates the moving path to recovery taken by a teen with strong self-destructive tendencies. The director was given wide margins in terms of creative liberty, and the resulting 3’30” piece uses visual codes directly inspired by the work of Brothers Quay and of the Eastern European animation school of the 1960s. The production of the film meant one month of preproduction and two days of filming using puppets, in a set of equal scale for the characters.


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Martin Allais builds an impossible building for Elisava

Saturday, April 24th, 2010

Imagine a building that could turn with the sun, maximizing on this energy source, not only in terms of the light it provides, but for air conditioning purposes as well, thus bringing innovation together with sustainability. This was the challenge presented to boolab by the agency Soon in Tokyo for its client, the Building Engineering Department of the Elisava design school. In reality, the commission corresponds to a communication strategy launched by the agency two years ago involving the concept of ‘impossible buildings’, which sought to show that behind any highly innovative architectural project, there must be a architectural engineer who can tackle the most mind-boggling ideas and make them a reality.

The delicate piece, brainchild of Martin Allais, portrays in 90” the construction of this ‘sunflower building’. The director challenged himself with depicting the story solely through the use of camera movements and frame changes over mock-ups and miniature characters, without relying on any animation technique. A poetic and suggestive tribute to a complex career that is often not given its due merit.


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Marco Rossi joins boolab to take over 3D technical direction

Friday, April 23rd, 2010

For almost 20 years he has been exploring all available technical possibilities in 3D animation. He has worked in different studios and companies, from Animatica, Videoefecto, Virtual Effects, Planeta Actimedia and Virtual Toons, to Furia Digital, with whom he collaborated on and off from 2001 up to the beginning of 2010. He has applied his talent to all possible formats, both at national and international level: advertising, cinema, documentaries, television and animation series. Along with his team, he won the 2009 Goya for Best Visual Effects for his work on the long-feature film “Mortadelo y Filemón 2”.

In April 2010, Marco Rossi joins boolab to take over the technical direction of the 3D department. He will be applying his art to all the production house’s projects that include this technique, and it goes without saying that, with the addition of Marco to the team, boolab firmly consolidates its technical dominion over the area of visual effects, opening up very promising new horizons. A very warm welcome home, Marco.


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